This article explains how to configure the top right section of the Behringer Wing mixer, focusing on using its four buttons and knobs for controlling various channel parameters and setting up custom controls with the F1, F2, and F3 keys. It covers input selection, layered control, and custom parameter assignment, offering sound engineers enhanced control over their mixing sessions.
The article describes how to set up and use multitrack playback with the Behringer Wing mixer, leveraging Dante audio. It covers installing a Dante card on the Wing, configuring the Dante Virtual Sound Card on a computer, routing with Dante Controller, setting up playback software, and managing individual tracks on the mixer. This setup provides extensive control over each track, offering flexibility for live sound mixing.
This article explains how to use Waves plugins with the Behringer Wing mixer through USB audio and Ableton Live. It covers setting up the Wing for USB output, configuring Ableton Live for audio processing, implementing Waves plugins, and routing processed audio back to the Wing. The article highlights two methods for this routing: direct patching and using an external effects rack, each with its implications for sound output.
The article outlines the functionalities of buses, matrices, and mains on the Behringer Wing mixer. Buses are used for creating submixes and effects processing; matrices combine buses or mains for additional processing but cannot directly mix channels; and mains, uniquely on the Wing, function like buses, allowing for diverse routing options. This understanding is essential for sound engineers to effectively use the Behringer Wing for complex audio setups.
The article explains the functionalities of the ‘Save’ and ‘Update’ buttons in the Behringer Wing mixer’s snapshot management system. ‘Save’ captures the entire mixer’s settings but recalls only the defined scope, ideal for major changes. ‘Update’ modifies an existing snapshot but is limited to its current scope, suitable for minor adjustments. The article also highlights the ability to edit the scope of a snap, providing flexibility in managing different board settings.
This article provides a step-by-step guide to setting up multitrack recording using the Behringer Wing mixer with a Dante card and Adobe Audition. It covers the setup of Dante routing on the mixer, the use of Dante Controller and Virtual Sound Card on a computer, and the configuration of Adobe Audition for recording multiple channels. This setup allows for the recording of up to 64 individual tracks, offering extensive control and flexibility for audio recording and production.
The article discusses an advanced routing technique for using Behringer P16 personal mixers with a large band setup through the Behringer Wing mixer and multiple stage snakes. This setup allows for the optimal use of P16’s 16 channels by creating different mixes for vocalists and the band, using independent connections from the Wing to each stage snake. This method ensures that all musicians have access to the necessary parts of the mix, despite the limited channel availability of the P16 mixers.
Optimizing In-Ear Mixes: Navigating the Behringer Wing’s Processing Chain Equipment Links Behringer WingBehringer S32 Stage Snake Introduction For live sound engineers and musicians, understanding the processing chain of a mixer like the Behringer Wing and its impact on in-ear monitoring is…
The article outlines the Behringer Wing’s capacity to manage 48 stereo channels, with each channel capable of handling mono or stereo inputs. Additionally, it highlights the mixer’s auxiliary inputs, ability to connect to 96 inputs via AES50 ports, and expansion possibilities with Dante and USB. The Wing’s advanced routing capabilities, including scene management with “snaps”, are also discussed, showcasing its versatility in various audio scenarios.
This article discusses the methods of connecting multiple S32 stage snakes to a Behringer Wing mixer and the resulting routing configurations. Two primary connection methods are explored: cascading, which allows for a total of 48 inputs and 16 outputs; and independent connections, offering full access to all inputs and outputs on each snake. The article also covers the routing for P16 personal monitors and the benefits of each setup, especially in terms of flexibility and expanded routing options for stereo inputs and monitor mixes.