User patching on the Behringer Wing delivers unparalleled flexibility in routing audio signals. This step-by-step guide covers key use cases: providing processed signals to monitors and multitrack recording with processing. Enhance your workflow by customizing routing to meet the unique needs of your live or recording environment.
Learn how to configure the Behringer Wing for church services with pre-routed inputs, buses, effects, and outputs tailored for live sound, streaming, and multi-track recording. This downloadable file integrates components like Dante and P16 monitors, providing an efficient, customizable starting point for engineers.
The article describes how The River Church effectively uses Behringer P16 personal monitors with a Behringer Wing mixer to manage a full band and multiple vocalists. It details their innovative setup, including the division of vocalists into lead and background channels, direct channels for instruments, and grouped buses for drums and tracks. This configuration allows for efficient use of the limited channels while ensuring each musician has the necessary mix for their performance.
The article discusses an advanced routing technique for using Behringer P16 personal mixers with a large band setup through the Behringer Wing mixer and multiple stage snakes. This setup allows for the optimal use of P16’s 16 channels by creating different mixes for vocalists and the band, using independent connections from the Wing to each stage snake. This method ensures that all musicians have access to the necessary parts of the mix, despite the limited channel availability of the P16 mixers.
Optimizing In-Ear Mixes: Navigating the Behringer Wing’s Processing Chain Equipment Links Behringer WingBehringer S32 Stage Snake Introduction For live sound engineers and musicians, understanding the processing chain of a mixer like the Behringer Wing and its impact on in-ear monitoring is…
The article discusses the method of sending a bus from the Behringer Wing to a P16 personal monitoring system, focusing on situations where there are more input channels than the P16 can handle. It highlights grouping multiple inputs, like drum mics, into one channel on the P16 using a bus on the Wing. The process involves selecting a bus, adjusting levels, ensuring the channels are pre-fader, and then routing this bus to the appropriate channel on the P16, effectively consolidating inputs and simplifying the monitoring process.
This article provides a comprehensive guide on how to set up and route Behringer P16 personal monitors using the Behringer Wing mixer in conjunction with a Behringer S32 stage box. The process begins with connecting the Wing mixer to the S32 stage box, and then linking the P16 monitors through the Ultranet port of the S32. The routing on the Wing for P16 monitors is distinct, involving specific output channels. The first 16 outputs in the AES50 A configuration correspond to the stage box’s outputs, while channels 33 to 48 are dedicated to the P16 monitors. Each output channel from 33 to 48 on the Wing corresponds to a channel on the P16, allowing for precise and individualized control over the audio each performer hears in their personal monitor. The article walks through the process of routing each channel, emphasizing the importance of this setup for live sound engineers in creating tailored audio experiences for performers.
Integrating Behringer Wing with Stage Box and P16 Personal Monitoring System Introduction to the Setup In the world of live audio production, the integration of mixers, stage boxes, and personal monitoring systems is crucial for a seamless sound experience. This article…