Audio

The article discusses the method of sending a bus from the Behringer Wing to a P16 personal monitoring system, focusing on situations where there are more input channels than the P16 can handle. It highlights grouping multiple inputs, like drum mics, into one channel on the P16 using a bus on the Wing. The process involves selecting a bus, adjusting levels, ensuring the channels are pre-fader, and then routing this bus to the appropriate channel on the P16, effectively consolidating inputs and simplifying the monitoring process.

This article provides a comprehensive guide on how to set up and route Behringer P16 personal monitors using the Behringer Wing mixer in conjunction with a Behringer S32 stage box. The process begins with connecting the Wing mixer to the S32 stage box, and then linking the P16 monitors through the Ultranet port of the S32. The routing on the Wing for P16 monitors is distinct, involving specific output channels. The first 16 outputs in the AES50 A configuration correspond to the stage box’s outputs, while channels 33 to 48 are dedicated to the P16 monitors. Each output channel from 33 to 48 on the Wing corresponds to a channel on the P16, allowing for precise and individualized control over the audio each performer hears in their personal monitor. The article walks through the process of routing each channel, emphasizing the importance of this setup for live sound engineers in creating tailored audio experiences for performers.

Integrating Behringer Wing with Stage Box and P16 Personal Monitoring System Introduction to the Setup In the world of live audio production, the integration of mixers, stage boxes, and personal monitoring systems is crucial for a seamless sound experience. This article…