wing

The article explains how to manage pre- and post-fader settings on the Behringer Wing mixer, both for its 16 buses and individual channels. It outlines the process of adjusting these settings in the ‘Bus Masters’ section and individual channel settings, providing the flexibility to have each channel follow the bus settings or have its own independent pre- or post-fader setting. This customization is essential for creating precise and functional audio mixes in various live and studio settings.

This article explains how to configure the top right section of the Behringer Wing mixer, focusing on using its four buttons and knobs for controlling various channel parameters and setting up custom controls with the F1, F2, and F3 keys. It covers input selection, layered control, and custom parameter assignment, offering sound engineers enhanced control over their mixing sessions.

The article outlines the functionalities of buses, matrices, and mains on the Behringer Wing mixer. Buses are used for creating submixes and effects processing; matrices combine buses or mains for additional processing but cannot directly mix channels; and mains, uniquely on the Wing, function like buses, allowing for diverse routing options. This understanding is essential for sound engineers to effectively use the Behringer Wing for complex audio setups.

The article explains the functionalities of the ‘Save’ and ‘Update’ buttons in the Behringer Wing mixer’s snapshot management system. ‘Save’ captures the entire mixer’s settings but recalls only the defined scope, ideal for major changes. ‘Update’ modifies an existing snapshot but is limited to its current scope, suitable for minor adjustments. The article also highlights the ability to edit the scope of a snap, providing flexibility in managing different board settings.