Mastering Routing on the Behringer Wing: Buses, Matrices, and Mains

Mastering Routing on the Behringer Wing: Buses, Matrices, and Mains

The article outlines the functionalities of buses, matrices, and mains on the Behringer Wing mixer. Buses are used for creating submixes and effects processing; matrices combine buses or mains for additional processing but cannot directly mix channels; and mains, uniquely on the Wing, function like buses, allowing for diverse routing options. This understanding is essential for sound engineers to effectively use the Behringer Wing for complex audio setups.

Snapshot Essentials on Behringer Wing: Save vs. Update Explained

Snapshot Essentials on Behringer Wing: Save vs. Update Explained

The article explains the functionalities of the ‘Save’ and ‘Update’ buttons in the Behringer Wing mixer’s snapshot management system. ‘Save’ captures the entire mixer’s settings but recalls only the defined scope, ideal for major changes. ‘Update’ modifies an existing snapshot but is limited to its current scope, suitable for minor adjustments. The article also highlights the ability to edit the scope of a snap, providing flexibility in managing different board settings.

Behringer Wing & Dante: Mastering 64-Channel Recording in Adobe Audition

Behringer Wing & Dante: Mastering 64-Channel Recording in Adobe Audition

This article provides a step-by-step guide to setting up multitrack recording using the Behringer Wing mixer with a Dante card and Adobe Audition. It covers the setup of Dante routing on the mixer, the use of Dante Controller and Virtual Sound Card on a computer, and the configuration of Adobe Audition for recording multiple channels. This setup allows for the recording of up to 64 individual tracks, offering extensive control and flexibility for audio recording and production.

Maximizing Behringer P16 for Large Bands: Advanced Routing with the Wing

The article discusses an advanced routing technique for using Behringer P16 personal mixers with a large band setup through the Behringer Wing mixer and multiple stage snakes. This setup allows for the optimal use of P16’s 16 channels by creating different mixes for vocalists and the band, using independent connections from the Wing to each stage snake. This method ensures that all musicians have access to the necessary parts of the mix, despite the limited channel availability of the P16 mixers.

Custom In-Ear Mixes: The Power of Behringer Wing’s Processing Chain

Custom In-Ear Mixes: The Power of Behringer Wing’s Processing Chain

Optimizing In-Ear Mixes: Navigating the Behringer Wing’s Processing Chain Equipment Links Behringer WingBehringer S32 Stage Snake Introduction For live sound engineers and musicians, understanding the processing chain of a mixer like the Behringer Wing and its impact on in-ear monitoring is…

48 Channels and Beyond: Mastering Inputs on the Behringer Wing

48 Channels and Beyond: Mastering Inputs on the Behringer Wing

The article outlines the Behringer Wing’s capacity to manage 48 stereo channels, with each channel capable of handling mono or stereo inputs. Additionally, it highlights the mixer’s auxiliary inputs, ability to connect to 96 inputs via AES50 ports, and expansion possibilities with Dante and USB. The Wing’s advanced routing capabilities, including scene management with “snaps”, are also discussed, showcasing its versatility in various audio scenarios.