The high cut filter on the Behringer Wing removes frequencies above a selected point, helping to clean up or shape audio. It is useful for controlling excessive brightness, taming harsh cymbals, and refining instrument sounds. Found in the Filter section, it’s easy to enable and adjust for better mixes.
The Low Cut Filter (or High Pass Filter) on the Behringer Wing removes unwanted low frequencies, improving mix clarity. Found in the Filter Section, it’s adjustable via the EQ display. Properly applying Low Cuts to vocals, instruments, and ambient mics ensures a clean, professional sound in live and streamed audio.
The Tilt EQ on the Behringer Wing boosts lows while cutting highs (or vice versa) around a central frequency, offering a fast, natural way to shape tone. Combined with traditional EQ and filters, it refines mixes efficiently, making it a valuable tool for live sound and studio applications.
The Behringer Wing links channel names/icons to the input source by default, making patching flexible but sometimes confusing. Disabling “Link Customization to Source” lets names stay with faders instead, ideal for changing setups. Learn how to toggle this per channel for better control over naming in your mix.
The Behringer Wing does not automatically save its current state when powered off. To retain settings, use the Shutdown button in the Setup menu before turning it off. This prevents loss of mix settings and ensures the console starts back up exactly how it was before shutdown.
The Behringer Wing features a built-in spectrum analyzer within its EQ section, helping users visually monitor frequencies for better EQ decisions. This guide explains how to enable, configure, and optimize it. Use the Overlay (OVL) mode for best visibility and adjust Fixed Gain for clear frequency response monitoring.
On the Behringer Wing, source attributes (name, phantom power, gain, etc.) are stored separately from channel strips. Simply removing a source from a strip doesn’t clear its settings. To fully reset an input, go to Routing > Sources, select the input, and click Initialize to remove all attributes. Always use this feature cautiously.
Combine non-consecutive mono inputs into a stereo channel on the Behringer Wing using User Signals. This routing hack preserves live flexibility by mapping inputs like 1 and 4 to a stereo channel without rewiring. Ideal for unpredictable setups or tight schedules, this method empowers you to adapt instantly.
User patching on the Behringer Wing delivers unparalleled flexibility in routing audio signals. This step-by-step guide covers key use cases: providing processed signals to monitors and multitrack recording with processing. Enhance your workflow by customizing routing to meet the unique needs of your live or recording environment.
This guide explains gain and trim on the Behringer WING console. Gain controls preamp input levels, while trim adjusts signal volume digitally post-gain. Follow our step-by-step instructions to set gain during soundcheck, use trim to fine-tune your mix, and avoid common mistakes for balanced, distortion-free live audio.